Can you really have too much of a good thing? Most Beauties favor the
shades and tints of one particular hue, but using the color family all
over your face? That’s an art form. When it comes to bright colors,
there is a fine line between a signature shade and mono-pigment
overload. We chatted with Hollywood makeup guru Scott Barnes (clients
include Jennifer Lopez, Kim Kardashian, and Christina Aguilera!) to
discover a few rules of monochromatic makeup.
EYES AND LIPS
"Monochromatic makeup is very pleasing to the eye if you stay within a
shade or two of the tint —either lighter or darker—with the same
undertone," says Scott. "This technique applies to any color on the wheel
and forms a great base to play with eye-popping liner or lashes.” When
it doubt, avoid rocking the same vibrant color on your lips and eyes.
The effect is a double statement, and can be extremely difficult to pull
off. Instead try a violet eye with a sheer lilac lip.
LIPS AND CHEEKS
Using the same hue on your lips and cheeks is very common (some of
the best two-in-one tints are designed for exactly this!) and easy to
pull off. If you don’t want a Michael Kors-inspired flush,
simply dab a cream color on the apples of your cheeks and swipe the
excess right on your lips. Applying two different shades? "If you go
with a bright cheek, choose a lip color that is a pale wash of the same
shade," suggests Scott.
CHEEKS AND EYES
Blush tones blend beautifully into the eye area (as we saw at Anna Sui
spring 2012), and the rosy undertones give warmth to a neutral eye.
"Use your blending brush—or even your blush brush—to run a rosy or
peachy color across the browbone,” advises Scott. “You’ll see the area
come to life!"
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